I’m coming to you live from beautiful Lost Wages, that
city of silliness in the great, pointy state of Nevada. Nothing
typifies excess like the faux grandeur of the mid-line hotels
here unless, of course, you’re into gadgets and what engineer
isn’t? Well, The annual Winter Consumer Electronics Show
is the place to go for binging on electronic gewgaws and this
month, we’ll take a look at fun gear that sounds good and
may just impact your thang in days to come.

Let’s start with a way to put your crusty old Pentium III
laptop to good use…Evolution Robotics sells a $499 hardware
and software combo kit called the ER1 that uses the laptop as
brains for a autonomous personal robot. Looks to me like yet another
way to eliminate your second engineer.
Well, USB flash drives have matured and features have proliferated,
with capacities up to 1 GB, biometric security, waterproof packaging,
Bluetooth and USB2 connectivity and multimedia capabilities such
as onboard still/video cameras and MP3 players…but, will
they do the dishes? Home networking is also maturing, with vendors
offering all sorts of solutions to the nightmare of wiring the
crib. These products will, in turn, drive the demand for home
consumption of rich media, a good trend for us audio folks.
Lots of spendy DVD-Audio, SACD and universal players were out
on the floor from Kenwood, Meridian, MSB Technology and Teac while
Denon showed their universal player tentatively priced at $999.
But, it was Pioneer who finally delivered the olive branch to
both sides in the War of the Formats with their DV-563A. This
talented player, with a MSRP of $270, handles MP3 and WMA files
on CD-ROM and CD-RW along with DVD-V, DVD-A and multichannel SACD.
It even includes a JPEG playback function for those slide shows
of the wee ones. Now that’s value!

Pioneer’s Low Cost DV-563A Universal Player
Some people think that planar magnetic and electrostatic loudspeakers
put cone and dome direct radiators to shame and, arguably, one
of the best sounding home loudspeakers of all time was the Quad
ESL 57, a groundbreaking design. Thought to be long gone, the
57 and later model 63 are now back, thanks to the efforts of Manfred
Stein at QUAD Musikwiedergabe GmbH. They’ve purchased the
machinery to manufacture the 57 and repair 63s, so audio nostalgia
buffs can once again enjoy that incredible transient response
and retro look. Make no mistake, Quad Electroacoustic Ltd. in
the UK hasn’t been resting on their laurels. Nowadays, the
ESL is up to the model 989 and, lordy lord, they’re making
cone driver dynamic speakers too! Will wonders never cease…
When I wandered into TriCell Enterprises’ suite, I was surprised
and delighted to see what I thought was a set of Juerg Jecklin’s
famous open air Floats. As a young adult, I owned a set of Floats
and loved the sound. Being electrostats however, I hated the ticking
that resulted from the high polarizing voltage arching across
the internal air gap. In fact, TriCell was demo’ing Precide
SA’s Ergo A.M.T., a next generation headphone utilizing
Oskar Heil’s Air Motion Transformer. They also have nice
sounding versions with “normal” dynamic transducers
in that ultra–comfortable form factor.
In another vein, consider the new speaker enclosure offering from
Sonance. To complement their recently introduced SoundHenge III
outdoor rock enclosures ( they look like rocks), Sonance is shipping
the SoundHenge Pedestal, a 30" tall, square cross section
stand for potted plants and Venus de Milo knockoffs. The groovy
thing about these pedestals is that they’re designed to
house any of Sonance’s Mariner line of loudspeakers. Think
of them as architectural Auratones; nice to look at and great
for checking your mixes in the client lounge!

Sonance’s Stonhenge Pedestal Enclosure
While I’m on the subject of loudspeakers, one of the standout
trends at this year’s show was the wide range of quality
choices in the Home Theater In A Box (HTIB) category. DVD chieftain
Toshiba even announced their first HTIB, the SD-43HT, a $300 package
with a 50 W per channel receiver/DVD player combo, a wide range
of I/O and DTS decoding. Another example is Mission’s fs1
system. This 5.1 loudspeaker product combines high fidelity reproduction
with modern good looks and an incredibly small footprint thanks
to clever engineering. At a suggested retail price of $1000, this
is a good example of the many manufacturers providing multichannel
speaker packages in the $600 to $1500 range, well under the threshold
of pain for many households. This means that, with the introduction
of very inexpensive DVD and SACD players, many more families will
be settling in for some surround audio thrills in the near future.

Mission’s fs1 HTIB
Tannoy was showing a more innovative HTIB design, their FX5.1
model. The two-way satellites provide extended high frequency
response via titanium tweeters. The shielded sat.s have provisions
for wall mounting and are spec’d as -3 dB at 71 kHz. Way
out there, baby! [Got a chance to evaluate the FX5.1: very nice
package and fine sound quality, considering the price - OM] Another
Brit stalwart, KEF, also preached the wide band gospel. Their
new XQ series of down market loudspeakers have additional hypertweeters
for extended ultrasonic response. While most engineers poo poo
the concept of playback above 20 kHz, I’ve not done any
listening tests with ultrawide band speakers. I’ll just
say that some folks I know like having that extended upper frequency
response. A more concrete advantage, applicable to most complex
systems, is that extending the bandwidth provides better linearity
and less phase shift within the pass band.

Tannoy’s FX5.1 HTIB
At the other end of the fidelity scale, Ellula showed their latest
inflatable loudspeaker, the HotAir. Yup, I said inflatable as
in way portable. This $99, battery powered, active 2.1 system
shares something with Mission’s fs1 since they’re
both based on NXT’s
flat panel transducer technology.
In other consumer electronic news, JVC has something wonderful
for all you vidiots out there. Their new GR-HD1 is the first high
definition, consumer camcorder. “By utilizing a newly developed
1/3 inch-type 1.18 million pixel progressive scan CCD and JVC
proprietary processing, the new camera records and plays back
750/30p (1280x720/30p viewable) digital high-definition and 525p
progressive wide images to mini DV tape.” What this announcement
means to me is that, for videographers, the quality of a work
is no longer tied to the cost of production, just like we’ve
seen in audio.
In the Synergy department, Gracenote, overseer of the CDDB, demonstrated
a new suite of APIs and middleware, the Gracenote Music Management
System, for consumer electronic devices and computer media players.
Their stuff currently drives the playlist and track info functionality
for software players like WinAmp, iTunes and the RealOne Player.
Now, that metadata gold mine will extend to mobile manufacturers
including Sony,
Pioneer, Fujitsu
Ten and Phatnoise
as well. In addition, they’re leveraging their expertise
in audio to provide the same functionality for DVDs…not
sure that this is a good thing though. [For more info on Gracenote
and music recognition technology see the upcoming August Bitstream
- OM]
As in years past, Sharp was showing the latest generation of their
DX-SX1 high end SACD transport and SM-SX1 amplifier ($3000 &
$4500 respectively) with a proprietary DSD link. This year at
least, they got the styling right. More important is their trend
of manufacturing a line of inexpensive hifi packages and components
using “64 fs 1-Bit Switching” technology. Sound familiar?
It should since this is DSD data. Sharp is doing for hardware
what ABKCO is doing for reissues: sneaking quality in under the
radar while not scaring consumers with more jargon and obfuscation.
I hope we’ll see some end–to–end DSD hardware
at commodity prices from these folks in the near future.

Sharp’s “1-bit” SD-AT1000 HTIB
Score one for Windows XP…Ignore the hype over Tablet PCs.
Instead, check one of the most compelling new features, support
for “Smart Displays.” I spent some time with the ViewSonic
folks while beating on one of their airpanel V150 wireless displays.
Imagine not having some honking big CRT, which creates a bogus
acoustic shadow, or a traditional LCD at the mix position, with
it’s accompanying acoustic reflections. Instead, your display
hangs out away from the sweet spot, and you can pick it off it’s
charging cradle, hold it or lay it down, and interact with your
CPU as if the darn thing was hardwired. WiFi–connected Smart
Displays support stylus input, great for non–roman alphabets
like Farsi or Korean, but a major PITA for the rest of us. The
ViewSonic critter also has USB ports if you’d rather go
with an ordinary hard keyboard instead of a virtual “soft
keyboard.”
Speaking of hardware keyboards, another useful but overpriced
Windows technology is a new keyboard with electroluminescent backlighting.
Auravision’s $100 EluminX full size keyboard lets you type
by even the feeble illumination of a LAVA Lamp.

Auravision’s EluminX Electroluminescent Keyboard
For those of you who spend a generous portion of their waking
hours in a vehicle, you may have noticed how car interiors force
you into a compromised listening position: too left or too right.
The folks at Alpine
noticed and took matters, or possibly power tools, into their
own hands. They started with a Honda Civic Si, gutted the interior
and moved the steering column to the center of the vehicle, creating
a single seat, center–drive car! They then stuffed it to
the gills with the latest mobile audio and video madness. In addition,
“each door panel…holds three nitrous
oxide bottles which are artfully incorporated into the design
scheme.” Humm, is that for the engine or the driver?
With a LAVA Lamp and a can of nitrous, I think I could be happy
mixing the next NSYNC record…OK, maybe not. Anyway, I hope
you enjoyed this month’s peek into the world of consumer
gear, the products that ultimately drive our pro audio industry.
Until next time, keep on tweekin’!.